This is one of those movies that surprises you – or at least it did me. Quite frankly, I don’t even remember why it was that we watched it. Perhaps it was a suggestion from a friend. But whatever the reason, we decided that we’d sit down with the family and see if it was any good. In the end, we were glad that we did.

It definitely starts off a bit slowly – in the not-to-distant future, Noah (Chris O’Neil) and his sister Emma (Rhiannon Leigh Wryn) going through some toys such as stuffed animals, trying to find something to do with them. It’s really a scene that most parents today might see at any point in any life. But then something a bit unusual happens.

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Though I have often been called a geek, it’s usually because I like computers and such.  I did collect comics when I was younger (okay, when I was older too), but not as much as some other people I knew.  I’ve always been more of a technical geek than a hidden-away-geek.  Not that there’s anything wrong with either.

As such, I’m generally on the periphery of most movies that have anything to do with comicdom.  I can typically keep up – while my wife would often run or walk the other way – and I can often enjoy them to at least some degree.  But in this case, I didn’t so much.  I liked the original Fantastic Four, and I’m aware enough of who the Silver Surfer was to be able to keep up, but I just didn’t really care for this sequel.

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Luther and Nora Krank typically spend their Christmas season with everyone. The emphasis here is on spend. With so many holiday decorations and parties, last year they spent more than six thousand dollars. This year, however, their daughter Blair is joining the Peace Corps, and so they’re on their own. Luther Krank (Tim Allen) has an idea. Since Blair isn’t going to be home, and he and Nora will have all this time to be alone, why not just skip Christmas entirely?

As an accountant, it actually works out great. As a man, he knows he can’t get away with just ducking the holiday, so he comes up with a plan: They’ll take a cruise. Even after planning for a full cruise package, they are going to come out thousands of dollars ahead. Assuming that they can duck all of their standard holiday commitments, and that isn’t going to be an easy task. The first thing he has to do is sell his wife on the idea. It turns out that will be the easy part of it.

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That cuddly green ogre Shrek (Mike Myers) has returned for the third go-round, and this time the stakes are a bit higher. King Harold (John Cleese) has croaked (he’s a frog, get it, he croaked?) and with one of his last breaths (he had several) he has left the reins of Far Far Away in the hands of Shrek and Fiona (Cameron Diaz).

Naturally, Shrek is thinking mostly of himself, and he isn’t really interested. He just wants to go back to the swamp. So before the king dies, he asks if there is another option. Luckily, there is one. His name is Arthur. That’s all that Shrek needs to hear. There is someone else who can handle running things and get dressed up, and he and Fiona can get out of there. So he and Donkey (Eddie Murphy) and Puss (Antonio Banderas) board a ship and head out to find Arthur.

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Hapless Larry Daley (Ben Stiller) is in danger of losing his son, Nick (Jake Cherry). He’s not really concerned about his ex-wife, but Nick? That worries him. Especially when Nick mentions that he’s ready to hang up his hockey skates and start practicing to be a stockbroker, like his new dad, Don (Paul Rudd).

Spurred on by the thought of losing his son’s hockey career to the over-achieving Don – or at least to his utility belt of cell phones, Larry decides that he needs to get on with his life and do something. So begging for a job at the unemployment office, he begs for just about anything. What he gets is something that no one would have expected.

You see, Larry gets a job as a night watchman and the Museum of Natural History. And as they say, history has a way of coming to life. It’s never been more true than it is at this place after they lock the doors for the night.

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Clark Griswold (Chevy Chase) is ready to treat the family to a completely new sort of vacation – in Las Vegas! Of course, if you know Clark, you know that he doesn’t always think things through, and though his plan this time around seems to be to spend time with his family (as always), he is sidetracked (as always) by the allure of making easy money at the gambling tables.

Naturally he is joined by his lovely wife Ellen (Beverly D’Angelo), and they also bring along kids Audrey (Marisol Nichols) and Rusty (Ethan Embry). As with the prior films in the “series”, in this go-round where the kids are played by different actors than their predecessors.

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When Andy Farmer (Chevy Chase) receives a $10,000 advance from his publisher, he and his wife decide that it’s finally time to make the leap. They purchase a house in the country, and leave the city behind.

The first glimpse of their new home is a wonderful one. The town of Redbud, perhaps not, but then, we don’t really see much of it, as the Farmers appear to be on the outskirts of town. So much so, in fact, that their moving van can’t find them until the next day, and it means that they have to suffer through the first night without a change of clothes, without furniture, and without even anything to eat.

In retrospect, they should perhaps have taken this as a sign and moved back to the city.

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When Memphis (Hugh Jackman) drops the egg of his baby penguin during the long, cold, Antarctic winter, he is afraid that he may have literally dropped the ball. But luckily – for him – the baby does hatch, albeit a bit later than the other penguins, and Norma Jean (Nicole Kidman) won’t be upset when she returns from the feeding grounds.

But when young Mumble (Elijah Wood) can’t seem to find his heart song, Memphis blames himself. In this Disney-fied tale (which is actually by Fox), the penguins grow up, and sing their heart song in order to find their mate. Without such a song, Mumble is not only doomed to live out his life on his own, he is just about a disgrace. To make matters worse, he does this thing… with his feet.

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On January 20, 1960, Frank Morris (Clint Eastwood) arrived at Alcatraz to become prisoner #AZ1441. As with many other inmates of the prison, he was sent there because he had a tendency to escape other prisons, and Alcatraz was built to keep people from escaping.

However, according to most records, Morris almost immediately began planning his exit from The Rock. While it may or may not be completely true, on the arrival of two of his former associates, John and Clarence Anglin, Morris accelerated his plans, and on the night of June 11, 1962, they were gone, never to be heard from again.

The events surrounding the event are of course lost, so the details are dramatized for the movie. But that doesn’t mean that it’s not a good one to sit through.

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To say that Rocky Balboa (Sylvester Stallone, who also wrote and directed) is past his prime is putting it mildly. Adrian is gone – she passed a few years ago from “women’s cancer”, and now each year on her birthday Rocky visits sites where they shared a few special moments. We see her here only in Rocky’s memories and in the name of Rocky’s restaurant, Adrian’s.

But when a television computer projects that Rocky in his prime could beat the current heavyweight champion Mason “The Line” Dixon, something in Rocky’s “basement” (down in his gut) starts to stir. He wonders what it would be like to fight again. Nothing big, but just a few local fights. So he applies to get re-licensed.

When the papers pick up on it, Dixon’s camp gets wind of it and decides it could be the payday that he’s been waiting for all these years.

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